The sponsor standing next to her, the representative of this brand that she knows by heart or that she thought she knew, looks her up and down, looking her in the eye: “Sorry, but you're a girl…” The sentence is out.
The theoretical point
The theoretical point
From Rédac'Pulse
Here, Maya touches her dream. She left her day job to devote herself 100% to her passion. But she has to prove herself. She evolves in a masculine world, without pity for her feminine condition. She has found her “enemy”: prejudices.
The narrative pattern of a storytelling is sawtooth . The start is painful (or on the contrary, it starts well) and gradually, the hero begins to see the light at the end of the tunnel. But a disruptive element must canada phone number data come to thwart his plans, otherwise (once again) the story told is flat, tasteless.
Contrary to what one might think, the enemy of your story does not necessarily have to be represented by a person. It can be a concept, an invisible force, obstacles that come to disrupt the story of your hero. At this point in the story, your hero is at rock bottom. He fights alone against a power that is much stronger than him.
A “good” enemy keeps coming back to put a spanner in the works for your hero. And to make it a success, ask yourself the following questions:
What is this invisible force, concept or evil person that comes to shatter your hero's dreams?
- Board index
- All times are UTC
- Delete cookies
- Contact us